Auditions

WHO
ALL ARE WELCOME and ENCOURAGED TO AUDITION.
NO EXPERIENCE NECESSARY.
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WHEN
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RABBIT HOLE
Regular Auditions
Sunday, April 12 = 3:00 - 6:00 p.m​.​
Tuesday, April 14 = 6:00 - 8:30 p.m.
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If needed - Callbacks Auditions
Wednesday, April 15 = 6:00 - 8:30 p.m.
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VENUS IN FUR
Regular Auditions
Sunday, April 26 = 3:00 - 6:00 p.m​.​
Tuesday, April 28 = 6:00 - 8:30 p.m.
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If needed - Callbacks Auditions
Wednesday, April 29 = 6:00 - 8:30 p.m.
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Note: Please plan to arrive anytime within the allotted window. Auditions will be held on a first-come, first-served basis. Allow time to complete audition paperwork, and be prepared to stay longer in case the director requests additional material from you.
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WHERE
Holy Communion Church
1245 SE 3rd St c10, Bend, OR 97702​
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WHAT
Please plan to arrive early to fill out audition paperwork and be prepared to read sides from script.
Sides available below.​​​
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ABOUT THE SHOW
RABBIT HOLE
The Corbetts are a happy suburban couple whose lives change forever when their young son Danny is killed in an accident. Eight months later, Becca wants to start afresh in a new home without daily reminders of their terrible loss, while Howie finds comfort in revisiting his memories of Danny. These different ways of grieving threaten to tear their marriage apart. Can this couple ever find a way back to one another? David Lindsay-Abaire’s Pulitzer Prize-winning drama, filled with distinctive wit and grace, charts a path through grief and growth, guided by love and hope.
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NOTE: Includes adult language, alcohol use, and mentions of drug use, child loss and suicide. Physical intimacy: Howard kisses Becca’s neck and gives her a back and shoulder massage while seated on a couch.
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Performance dates (subject to change)
Thursday, June 4 - Sunday, June 14
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CASTING FOR THE FOLLOWING ROLES
NOTE: The playwright says: All of these characters are highly functional, unsentimental, spirited, and often funny people who are trying to maneuver their way through their grief and around each other as best they can.​
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Becca (35-45): A woman quietly grieving the loss of her 4 year-old son, Danny, and struggling to keep it together. Formerly worked at Sotheby’s. Methodical, restrained, short-tempered, sharp-witted, articulate.
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Izzy (25-33): Becca’s chaotic and free-spirited younger sister, several weeks pregnant at the beginning of the play. Recently fired from Applebee’s. She craves Becca’s approval. Impulsive, outspoken, scrappy, playful.
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Howie (35-45): Becca’s husband. Trying his best to fix what can’t be fixed. Frustrated with the deterioration of his relationship with Becca. Works in finance. Grounded, mostly patient, affectionate, lonely, and sometimes tone-deaf in his responses to Becca and others.
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Nat (55-65): Becca and Izzy’s mother. Speaks her mind freely, especially after a couple of glasses of wine. Having lost a son of her own, she carries the ache of a parent who’s learned to live with that loss. Pragmatic, blunt, opinionated. She and Becca have a history of conflict.
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Jason (17-18): The teenage boy who was driving the car that caused Danny’s death, not from carelessness, but through circumstances beyond his control. Seeking redemption & forgiveness without really understanding what that would look like. Sincere, awkward, respectful, perceptive. Writes a story about parallel universes and dedicates it to Danny.
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RABBIT HOLE AUDITION SIDES
ABOUT THE SHOW
VENUS IN FUR
Sexy. Provocative. Hilarious. Hailed as “seriously smart and very funny” by The New York Times, Venus in Fur is a laugh-out-loud study of the politics of sex and power. When Vanda arrives several hours late to her audition for a play based on a nineteenth-century erotic novel, the director is less than impressed. But Vanda’s masterful performance flips the script, and the audition turns into a tango for dominance between actress and director.
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NOTE: Contains adult themes, frequent coarse language and sexual references.​
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Performance dates (subject to change)
Thursday, July 16 - Saturday, July 25
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CASTING FOR THE FOLLOWING ROLES
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Vanda Jordan/Wanda von Dunayev (20s-50s, female presenting) - An enigmatic actress who auditions for the lead female role in Thomas's play based on Leopold von Sacher-Masoch's novel Venus in Furs. At first, Vanda is bubbly and a little awkward but transforms into a powerful figure who seems to embody the character, blurring the lines between actress and role. She challenges Thomas for control of the audition dynamic. Note: This performance involves heavy physical movement, risqué costuming, and sexual content.
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Thomas Novachek/Severin Kushemski (20s-50s, male presenting) - A playwright and director adapting the novel Venus in Furs for the stage. He is initially frustrated and cynical, having endured a day of unsuccessful auditions. He is drawn to Vanda despite his initial apprehension and becomes increasingly intrigued by her and becomes entangled in a power struggle with Vanda during the audition, blurring the lines of their professional relationship. Note: This performance involves heavy physical movement, risqué costuming, and sexual content.
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VENUS IN FUR AUDITION SIDES